Applying the Spycraft
I was watching a piece on CBS News Sunday with the title of ‘based on a novel by . . . “
It featured none other than the master spymaker, John LeCarre. Few of us can forget the Cold War and the novelists whose stock-in-trade were those “spies” who applied their craft, and by doing so kept us safe.
LeCarre, in 22 novels, revealed the frailties of the human condition and exploited it, building up tension in the reader with characters that lived in the shadows, dark and mysterious. LeCarre, along with Len Deighton, Frederick Forsyth, and Ken Follett showed us the face of British counter intelligence.
Gradually, US spy novelists came to par in the genre created and dominated by British writers. The Scarlatti Inheritance caused Robert Ludlum to be regarded as the first American spymaster. In the 1970s, former CIA operative Charles McCarry began the Paul Christopher series with The Tears of Autumn. The first American techno-thriller was Clancy’s The Hunt for Red October. It introduced CIA analyst, turned field agent, Jack Ryan.
With the end of the Cold War the genre went on hiatus. Spies lost their luster and relevance. No secrets needed exposure, or so we thought . . .! To survive, the novelists had to re-invent (more…)
