Posts Tagged Sue Grafton
VJ Books Offering Autographed copies of U is for Undertow by Internationally Bestselling Writer Sue Grafton
In Sue Grafton’s 21st alphabet novel, she moves the narrative between the eighties and the sixties, changing points of view, building multiple subplots, and creating memorable characters. Gradually, we see how they all connect. But at the beating center of the novel is Kinsey Millhone, sharp-tongued, observant, a loner, “a heroine,” said The New York Times Book Review, “with foibles you can laugh at and faults you can forgive.”
“We may not have been around for A is for Alibi,” said VJ Books co-founder, John Hutchinson, “but we have proudly offered the majority of her abecedarian books.” This 21st entry into the alphabet books will be no exception, with autographed copies shipping in late December/early January. VJ Books long standing relationship with Ms. Grafton has resulted in an ample backlist inventory of many of her bestselling books starring Ms. Millhone, which are available at www.vjbooks.com.
Grafton’s novels have been published in 28 countries, in 26 languages with nineteen of them topping the bestselling charts. Readers appreciate her buoyant style, her eye for detail, her deft hand with character, her acute social observances, and her abundant storytelling prowess. She has won two Anthony Awards, three Shamus Awards, was given the Cartier Dagger by the British Crime Writers’ Association, and most recently was bestowed with the Grand Master Award from the Mystery Writers of America.
You may pre-order signed copies of U is for Undertow by Sue Grafton at here
Read more about Sue Grafton here
(news.cincinnati.com, Jan. 21, Dinesh Ramde)
“In the Shadow of the Master” (William Morrow, 416 pages), edited by Michael Connelly: The beating of the telltale heart still echoes beneath the floorboards. The cask of amontillado still eludes the wretched Fortunato. The raven still croaks, “Nevermore.”
No matter how many times you read them, Edgar Allan Poe’s classic tales never seem to lose their macabre magic.
And so, in honor of the master’s 200th birthday, which was Monday, the Mystery Writers of America have compiled a volume of his works – from the best-loved to the more obscure – along with short essays by award-winning authors who cite him as their inspiration.
Their essays provide a range of insightful observations. Some authors reminisce about their favorite Poe tales, while others recall their first exposure to his stories. Still others have come back to Poe’s works after many years and describe how their reactions have evolved as they’ve grown older.
Most of the guest essays sparkle. Each is about two to five pages, a quick read, and each resonates with an unmistakable passion for Poe.
One author, Lisa Scottoline, likens high-school exposure to Poe to broccoli for teenagers – as something forced upon kids because it’s good for them. The lesson she learned after Poe’s “William Wilson” inspired her own evil-twin story. Eat your vegetables.
A particularly stirring vignette by Laura Lippman traces the legend of the Poe Toaster. He or she is the mysterious figure who celebrates Poe’s birthday every year by stealthily leaving three red roses and half a bottle of cognac on his grave in downtown Baltimore.
Lippman once kept watch at the grave and finally caught a glimpse of the figure. But she refuses to describe the elusive fan, respecting the person’s mystery the same way that person honors the king of mysteries.
All Poe’s classics are here: “The Pit and the Pendulum,” “The Fall of the House of Usher,” “The Raven.”
So are a number of other works, lesser-known but still distinctively Poe. “A Descent Into the Maelstrom,” “The Masque of the Red Death” and “Ligeia” may not have the same name recognition as his more famous stories, but they are no less gripping.
A number of the vignettes speak of an experience that certainly rings true for this reviewer. Poe was required reading in our sixth-grade class. When we were that young, his formidable vocabulary made some of his stories a little too complex to fully appreciate.
But rereading the tales as an adult brings a fresh sense of admiration. Few authors can match his disturbing detail, few can create such disconcerting worlds of madness.
That’s why the Mystery Writers of America named its annual award the Edgar Award.
The only thing that separates “In the Shadow of the Master” from any other Poe anthology is the 20 vignettes, most of which are worthy additions. Their collective effect is to create a sense of camaraderie, as though a group of friends has gathered in communal respect of Poe’s genius.
If you just want to read Poe, any anthology will do. But readers who have loved Poe since they first explored his works will feel a special appreciation for this volume.
(marketwatch.com, Nov 20)
Mystery Writers of America (MWA) has announced that the organization will name James Lee Burke and Sue Grafton its 2009 Grand Masters in honor of the Bicentennial of Edgar Allan Poe’s birth next year. Not since 1978 has the organization presented dual Grand Masters.
MWA’s Grand Master Award represents the pinnacle of achievement in the mystery genre and was established to acknowledge important contributions to the genre, as well as significant output of consistently high-quality material. The awards will be presented at the 63rd Annual Edgar(R) Awards banquet on Thursday April 30, 2009 at the Grand Hyatt Hotel in New York City.
According to MWA executive vice president Harry Hunsicker, the Edgar Awards — or “Edgars,” as they are commonly known — are named after Edgar Allan Poe, whose 200th birthday will be marked next year. “One of the great pleasures of my tenure at the helm of MWA has been informing two of the most talented writers on the planet that they have been selected as (more…)